Monday, 2 November 2009

An Encounter with Emma Thackham Part 2



I continued my journey, noting points of interest such as this unfinished area of the building - It interested me as a point of incompleteness- I also felt the area could act as a frame or stage for a potential performance piece


Outside of the space was this collection of casters that appealed to my eye in a photographic way


I emptied my handbag in the space, exploring the idea that the participants could sift throught the contents in the unfinished space. That way their encounter with a stranger could be their imagined construction of the identity of a stranger through interaction with a stranger's belongings


I passed this window on my journey and stopped and considered it as a point of interest. The way the pane is surrounded by black metal and pink and white paint really framed the area for me and I thought this and the action/inaction in the urban landscape outsde could be an artwork in itself. A viewer would be presented with a constantly changing canvas, of clouds and sky and birds combined with the stillness of the urban artefacts/building materials.
This area, being enclosed within firedoors is also eerily silent. This factor of silence drew my eye to the subtle movement outside all the more.


My journey included a visit to the ladies bathroom



I then ventured outside of the building and passed this grid where an idea was borne...

Photographs by Emma Thackham

1 comment:

  1. This is an interesting composition of creation and destruction
    New building/disgarded wheels.
    Clean toilets/sewage grid.
    A living canvas/disregarded articles.
    Does anything ever become useless?
    Karl Derbyshire.

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